Книги автора: Джонатан Франзен

Jonathan Franzen’s Freedom was the runaway most-discussed novel of 2010, an ambitious and searching engagement with life in America in the 21st century. The editor of The New York Times Book Review, Sam Tanenhaus, proclaimed it “a masterpiece of American fiction” and lauded its illumination, “through the steady radiance of its author’s profound moral intelligence, [of] the world we thought we knew.” Now, a new collection of Franzen’s non-fiction brings fresh evidence of that moral intelligence, confirming his status not only as a great American novelist but also as a master noticer, social critic, and self-investigator.In ‘Farther Away’, which gathers together essays and speeches written mostly in the past five years, the writer returns with renewed vigor to the themes, both human and literary, that have long preoccupied him. Whether recounting his violent encounter with bird poachers in Cyprus, examining his mixed feelings about the suicide of his friend and rival David Foster Wallace, or offering a moving and witty take on the ways that technology has changed how people express their love, these pieces deliver on Franzen’s implicit promise to conceal nothing from the reader. On a trip to China to see first-hand the environmental devastation there, he doesn’t omit to mention his excitement and awe at the pace of China’s economic development; the trip becomes a journey out of his own prejudice and moral condemnation. Taken together, these essays trace the progress of unique and mature mind wrestling with itself, with literature, and with some of the most important issues of our day. Farther Away is remarkable, provocative, and necessary.

The fantastic fourth classic instalment in the Martin Beck detective series from the 1960s – the novels that have inspired all Scandinavian crime fiction.The Martin Beck series is widely recognised as the greatest masterpiece of crime fiction ever written. These are the original detective stories that pioneered the detective genre and inspired writers from Agatha Christie to Henning Mankell; Graham Greene to Jonathan Franzen. Translated into 35 languages, they have sold over 10 million copies around the world.Written in the 1960s, they are the work of Maj Sjowall and Per Wahloo – a husband-and-wife team from Sweden. The ten novels follow the fortunes of the detective Martin Beck, whose enigmatic, taciturn character has inspired countless other policemen in crime fiction. The novels can be read separately, but do follow a chronological order, so the reader can become familiar with the characters and develop a loyalty to the series. Each book will have a new introduction in order to help bring these books to a new audience.On a cold and rainy Stockholm night, nine bus riders are gunned down by an unknown assassin. The press, anxious for an explanation for the seemingly random crime, quickly dubs him a madman. But Martin Beck of the Homicide Squad suspects otherwise: this apparently motiveless killer has managed to target one of Beck’s best detectives – and he, surely, would not have been riding that lethal bus without a reason.With its wonderfully observed lawmen, its brilliantly rendered felons and their murky Stockholm underworld, and its deftly engineered plot, ‘The Laughing Policeman’ has long been recognised as a classic of the police procedural.

The new novel from the author of The Corrections.Patty and Walter Berglund were the new pioneers of old St. Paul - the gentrifiers, the hands-on parents, the avant-garde of the Whole Foods generation. Patty was the ideal sort of neighbour who could tell you where to recycle your batteries and how to get the local cops to actually do their job. She was an enviably perfect mother and the wife of Walter's dreams. Together with Walter - environmental lawyer, commuter cyclist, family man - she was doing her small part to build a better world.But now, in the new millennium, the Berglunds have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter taken a job working with Big Coal? What exactly is Richard Katz - outrA(c) rocker and Walter's old college friend and rival - still doing in the picture? Most of all, what has happened to poor Patty? Why has the bright star of Barrier Street become &quote;a very different kind of neighbour,&quote; an implacable Fury coming unhinged before the street's attentive eyes?In his first novel since The Corrections, Jonathan Franzen has given us an epic of contemporary love and marriage. Freedom comically and tragically captures the temptations and burdens of too much liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Freedom's intensely realized characters, as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.

A sharp and provocative new essay collection from the award-winning author of Freedom and The CorrectionsIn The End of the End of the Earth, which gathers essays and speeches written mostly in the past five years, Jonathan Franzen returns with renewed vigour to the themes - both human and literary - that have long preoccupied him. Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York, or offering an illuminating look at the global seabird crisis, these pieces contain all the wit and disabused realism that we've come to expect from Franzen.Taken together, these essays trace the progress of a unique and mature mind wrestling with itself, with literature and with some of the most important issues of our day, made more pressing by the current political milieu. The End of the End of the Earth is remarkable, provocative and necessary.

The Sunday Times bestseller from the author of Freedom and The CorrectionsYoung Pip Tyler doesn’t know who she is. She knows that her real name is Purity, that she’s saddled with $130,000 in student debt, that she’s squatting with anarchists in Oakland, and that her relationship with her mother – her only family – is hazardous. But she doesn’t have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she’ll ever have a normal life.Enter the Germans. A glancing encounter with a German peace activist leads Pip to an internship in South America with the Sunlight Project, an organization that traffics in all the secrets of the world – including, Pip hopes, the secret of her origins. TSP is the brainchild of Andreas Wolf, a charismatic provocateur who rose to fame in the chaos following the fall of the Berlin Wall. Now on the lam in Bolivia, Andreas is drawn to Pip for reasons she doesn’t understand, and the intensity of her response to him upends her conventional ideas of right and wrong.Jonathan Franzen’s Purity is a grand story of youthful idealism, extreme fidelity, and murder. The author of The Corrections and Freedom has imagined a world of vividly original characters – Californians and East Germans, good parents and bad parents, journalists and leakers – and he follows their intertwining paths through landscapes as contemporary as the omnipresent Internet and as ancient as the war between the sexes. Purity is the most daring and penetrating book yet by one of the major writers of our time.

Jonathan Franzen’s Freedom was the runaway most-discussed novel of 2010, an ambitious and searching engagement with life in America in the 21st century. The editor of The New York Times Book Review, Sam Tanenhaus, proclaimed it “a masterpiece of American fiction” and lauded its illumination, “through the steady radiance of its author’s profound moral intelligence, [of] the world we thought we knew.” Now, a new collection of Franzen’s non-fiction brings fresh evidence of that moral intelligence, confirming his status not only as a great American novelist but also as a master noticer, social critic, and self-investigator.In ‘Farther Away’, which gathers together essays and speeches written mostly in the past five years, the writer returns with renewed vigor to the themes, both human and literary, that have long preoccupied him. Whether recounting his violent encounter with bird poachers in Cyprus, examining his mixed feelings about the suicide of his friend and rival David Foster Wallace, or offering a moving and witty take on the ways that technology has changed how people express their love, these pieces deliver on Franzen’s implicit promise to conceal nothing from the reader. On a trip to China to see first-hand the environmental devastation there, he doesn’t omit to mention his excitement and awe at the pace of China’s economic development; the trip becomes a journey out of his own prejudice and moral condemnation. Taken together, these essays trace the progress of unique and mature mind wrestling with itself, with literature, and with some of the most important issues of our day. Farther Away is remarkable, provocative, and necessary.

A hundred years ago, the Viennese satirist Karl Kraus was among the most penetrating and prophetic writers in Europe: a relentless critic of the popular media’s manipulation of reality, the dehumanizing machinery of technology and consumerism, and the jingoistic rhetoric of a fading empire. But even though his followers included Franz Kafka and Walter Benjamin, he remained something of a lonely prophet, and few people today are familiar with his work. Thankfully, Jonathan Franzen is one of them.In THE KRAUS PROJECT, Franzen not only presents his definitive new translations of Kraus but annotates them spectacularly, with supplementary notes from the Kraus scholar Paul Reitter and the Austrian writer Daniel Kehlmann. Kraus was a notoriously cantankerous and difficult author, and in Franzen he has found his match: a novelist unafraid to voice unpopular opinions strongly, a critic capable of untangling Kraus’s often dense arguments.While Kraus lampoons the iconic German writer Heinrich Heine and celebrates his own literary heroes, Franzen’s annotations soar over today’s cultural landscape and then dive down into a deeply personal recollection of his first year out of college, when he fell in love with Kraus.Painstakingly wrought, strikingly original in form, THE KRAUS PROJECT is a feast of thought, passion, and literature.

Jonathan Franzen arrived late, and last, in a family of boys in Webster Groves, Missouri. ‘The Discomfort Zone’ is his intimate memoir of his growth from a ‘small and fundamentally ridiculous person’ through an adolescence both excruciating and strangely happy, into an adult with embarrassing and unexpected passions. It's also a portrait of a middle class family weathering the turbulence of the 1970s, and a vivid personal history of the decades in which America has taken an angry turn away from its mid-century ideals.The stories told here draw on elements as varied as the effects of Kafka's fiction on Franzen's protracted quest to lose his virginity, the elaborate pranks that he and his friends orchestrated from the roof of his high school, his self-inflicted travails in selling his mother's house after her death, and the web of connections between his all-consuming marriage, the problem of global warming, and the life lessons to be learned in watching birds.These chapters of a Midwestern youth and a New York adulthood are warmed by the same combination of comic scrutiny and unqualified affection that characterize Franzen's fiction, but here the main character is the author himself. Sparkling, daring, arrestingly honest, Franzen narrates the formation of a unique mind and heart in the crucible of an everyday American family.

Louis Holland arrives in Boston in a spring of strange happenings – earthquakes strike the city, and the first one kills his grandmother. During a bitter feud over the inheritance Louis falls in love with Renée Seitchek, a passionate and brilliant seismologist, whose discoveries about the origin of the earthquakes complicate everything.

From the author of ‘Freedom’, a richly realistic and darkly hilarious masterpiece about a family breakdown in an age of easy fixes.After fifty years as a wife and mother, Enid Lambert is ready to have some fun. Unfortunately her husband, Alfred, is losing his sanity, and their children have long since fled for the catastrophes of their own lives. As Alfred’s condition worsens and the Lamberts are forced to face their secrets and failures, Enid sets her heart on one last family Christmas.Bringing the old world of civic virtue and sexual inhibition into violent collision with the era of hands-off parenting, do-it-yourself mental healthcare and globalised greed, ‘The Corrections’ confirms Jonathan Franzen as one of the most brilliant interpreters of the American soul.

St. Louis, Missouri, is a quietly dying river city until it hires a new police chief: a charismatic young woman from Bombay, India, named S. Jammu. No sooner has Jammu been installed, though, than the city's leading citizens become embroiled in an all-pervasive political conspiracy. A classic of contemporary fiction, ‘The Twenty-Seventh City’ shows us an ordinary metropolis turned inside out, and the American Dream unraveling into terror and dark comedy.

A sharp and provocative new essay collection from the award-winning author of Freedom and The CorrectionsIn The End of the End of the Earth, which gathers essays and speeches written mostly in the past five years, Jonathan Franzen returns with renewed vigour to the themes – both human and literary – that have long preoccupied him. Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York, or offering an illuminating look at the global seabird crisis, these pieces contain all the wit and disabused realism that we’ve come to expect from Franzen.Taken together, these essays trace the progress of a unique and mature mind wrestling with itself, with literature and with some of the most important issues of our day, made more pressing by the current political milieu. The End of the End of the Earth is remarkable, provocative and necessary.

Patty and Walter Berglund were the new pioneers of old St. Paul – the gentrifiers, the hands-on parents, the avant-garde of the Whole Foods generation. Patty was the ideal sort of neighbour who could tell you where to recycle your batteries and how to get the local cops to actually do their job. She was an enviably perfect mother and the wife of Walter's dreams. Together with Walter – environmental lawyer, commuter cyclist, family man – she was doing her small part to build a better world.But now, in the new millennium, the Berglunds have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter taken a job working with Big Coal? What exactly is Richard Katz – outré rocker and Walter's old college friend and rival – still doing in the picture? Most of all, what has happened to poor Patty? Why has the bright star of Barrier Street become «a very different kind of neighbour,» an implacable Fury coming unhinged before the street's attentive eyes?In his first novel since The Corrections, Jonathan Franzen has given us an epic of contemporary love and marriage. Freedom comically and tragically captures the temptations and burdens of too much liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Freedom's intensely realized characters, as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.

Jonathan Franzen's ‘The Corrections’ was the best-loved and most written-about novel of 2001. Nearly every in-depth review of it discussed what became known as 'The Harper's Essay,' Franzen's controversial 1996 look at the fate of the novel. This essay is reprinted for the first time in ‘How to be Alone’, alongside the personal essays and painstaking, often funny reportage that earned Franzen a wide readership before the success of ‘The Corrections’. Although his subjects range from the sex-advice industry to the way a supermax prison works, each piece wrestles with familiar themes of Franzen's writing: the erosion of civic life and private dignity, and the hidden persistence of loneliness, in postmodern, imperial America. Recent pieces include a moving essay on his father's struggle with Alzheimer's disease and a rueful account of Franzen's brief tenure as an Oprah Winfrey author.As a collection, these essays record what Franzen calls 'a movement away from an angry and frightened isolation toward an acceptance – even a celebration – of being a reader and a writer.' At the same time they show the wry distrust of the claims of technology and psychology, the love-hate relationship with consumerism, and the subversive belief in the tragic shape of the individual life that help make Franzen one of the sharpest, toughest-minded, and most entertaining social critics at work today.